My first uprooting took place in 1998. It was autumn in Jamaica, and putting those words together in a sentence feels as strange as I felt when I lived there. When I was six years old, my parents pulled my younger brother and me from the suburban township of Maplewood, New Jersey and relocated us to the coastal city of Kingston, Jamaica.
(nonfiction)
father’s Chevy
station
wagon nostalgia
weekend I am
always in
service to
my failed
marriage’s cream-
colored
cashmere
sweater
(poetry)
Sears Tower stands fast and solidly flies. Over its base no statues try to beautify the essence of its vim: a skeletal trajectory, a bold learp of blackest metal/glass reaching, soaring higher and higher
(poetry)
Daniel Rachel frames an argument about how spectacle can override ideology and historical awareness. In doing so, these examples endorsed showbiz over ideology, but what else is new? There has never been an entertainer who didn’t want to mesmerize.
(reviews)
Sometimes, silence is the way oppression learns to speak fluently in every language. When we were told to sit still, we didn’t just lose movement—we lost voice.
(nonfiction)
My sister is going on a limitless journey
Those flying blue atoms above us
Penetrating our hearts exactly like darkness
(poetry)
this, the poem i cannot
return to
this, the wholehearted
downpour
(poetry)
I don’t know how to hold onto the warmth of the image of Ray picking up the kids, dappled in sunlight, with the statistics of suicide that run through my mind as I think about Lizzie.
(nonfiction)
it was a hundred thousand miles safely tucked away
had been years since its teeth had tasted the lock of his mouth
when they murdered him
it didn’t break no it vibrated
changed from key to tuning fork
death does that you know
(Palestinian Voices)
One morning I once tried to boycott mandatory COVID tests as a small gesture of resistance, but the first day I didn’t show up, I got a text message that same night warning me that there would be consequences. It didn’t say what the consequences would be.
(nonfiction)
His cheek, cool on asphalt, shining before he closed
his eyes: the pigeon’s neck, shimmering
(poetry)
Much more than a litany of tribulations, this book deconstructs the persona that Carrell and women going back to the beginning of Mormonism have been forced to create to endure its grinding mortifications. Unlike most of these women, Carrell extricates herself, but not without a lasting emotional trauma.
(reviews)
Just announced as a finalist for the Forward INDIES Book of the Year 2025, The Plan of Chicago marks Pearce’s foray into publishing a full collection of fiction under his own name—though he’s a ghostwriter by trade and has penned over twenty nonfiction books.
(reviews)
To read Södergran’s work today is to easily contextualize her voice within a feminist discourse, but it also defies being so neatly categorized. What makes her poems feel timeless is exactly their resistance to any niche delineation of time’s cultural productions.
(reviews)
The poems refuse to dramatize feeling when intimacy is already present, letting proximity, stillness, and ordinary action carry the weight. Moments of connection are often pared down rather than heightened. After intimacy is established through shared gestures—errand talk, side-by-side movement, unremarkable speech—“Greenlight” concludes simply: “Nothing much happened.
(reviews)
This identity transformation, and the inherent tensions of being a mother-writer, inform the poet’s search for a medium that can contain the impossibility of it all. Its pulsing, chimeric quality is reflected against, and through, the structure and constraints of poetry.
(reviews)
So much of Jillian’s life nowadays feels perfectly fine with Mark. Their one disagreement is what they should’ve done about Hannah. Mark thinks they were too lenient, too oblivious along the way. He always brings up the Halloween when Hannah had just turned sixteen. There were signs back then.
(fiction)
They who love so lawlessly your laws cannot contain them. They who sacrifice so willingly you are willing to sacrifice them.
(nonfiction)
I went to the lakefront at sunrise, but the beach and
sky were empty, and my dear friend
was not there.
(poetry/Palestinian Voices)
in my city, two fallen en route
to a market, eight more
at an intersection
of a hospital, ice
in their cheeks, hair, lips as if
they said goodbye
(poetry)
One of the famous Iranian rug patterns is the Tree of Life, in which the tree is often located on the vertical symmetry line of the carpet. The tree symbolizes the connection of earthly beings to the heavens.
(poetry)
I WhatsApp my cousin on his jubilee. He was born the day after the Yom Kippur War started, and here again: rockets, hostages, my aunt fainting. Can we celebrate anything without a backdrop of mourning, or—unlike the other day in Ukraine—even mourn, not adding at the memorial half a village to the slain?
(Ukraine)
Anesthesia for the moment. Anesthesia for the pain. The anesthesiologist’s line: “Don’t worry, you won’t remember this when you wake up,” is precisely what worried me. I didn’t remember. What else had I missed?
(nonfiction)
this sharpness
of ritual burns
toward expiation, but
the body kindles
(poetry)
The problem was that each believed themselves to be a good person. Ethical, if not moral. And yet here they were on a bench not talking about the thing that existed between them.
(fiction)
Nausea knocked around my empty stomach with nothing to temper it. This woman looked just like the Wikipedia image of Edith Wharton I fell asleep to. Was I seeing pixels come to life? No. I needed to get a healthier sleep schedule now that Ramadan was over, it was clearly affecting my brain.
(fiction)
“We see these policemen over here…” The intersection above them was lined with uniformed police in crowd control gear. “…surrounding our demonstration. They say they’re here to protect and serve, but who are they protecting? Who are they serving?”
(fiction)
“I think that the beauty of Blackness and Black people is that we code-switch all the time. We just know how to talk depending on where we are and to whom we’re speaking, so I don’t think about it too much when I’m writing, but I do think about who’s going to be on the inside of the stories and who’s going to be on the outside,” Amina Gautier tells ACM.
By seventh grade students often work with percentages, fractions, probability and proportional relationships. Math looks different at our Long Covid house. We practice for survival, not standardized testing. What percentage of a medication is metabolized by the liver? By the kidneys? What fraction of the pediatric population gets well?
(nonfiction)
The latest in our FORTHCOMING series of excerpts from new and recent books:
Anika had, Leo knew, a harder time in the uprising than he did. She was working as a junior reporter at the morning Szabad Nep when the soldiers came, not a good place to be. She hid in the storeroom behind a trashcan for three hours listening to the shots, the clatter of shell casings on the linoleum.
(fiction)
Another Chicago Magazine 