“When it comes to Brown’s latest, the White (or even in some cases Grimy) City should be proud,” Laurie Levy writes of Rosellen Brown’s “The Lake on Fire.”
A writer always takes a risk when writing about a work of art that’s not reproduced on the page. Will the reader step away from the text? Reviewed by Mary Harris Russell.
There is no excerpt because this is a protected post.
If you take down Confederate statues, who gets on the pedestal? Steve Harvey reports on Madre Luz.
In Trump’s America, Leanne Grabel just can’t help herself.
O say can you
Si se puede
Finally Natalia Ginzburg’s “Family Lexicon” is English and couldn’t be more timely, Natalia Nebel writes.