The often pitch-perfect language captures the absurdity of the way we live now and renders it hilarious: “I fought a monster and defeated it. I did that. But what do you do with that? It’s not something I can post about on Facebook. I mean, my mom would see that.”
(reviews)
The way I’d savor, lovesick, a stricken voice preserved on tape as if in amber. The way I banked those messages. Playing them over and again as proof that once, I had made him care. Echo of skin and moisture and shine and shame. Power diminishing with repetition.
(nonfiction)
You cleaned buckwheat in Ukraine and you’ll continue in America. You even brought a sack of groats with you. Were you afraid you’d starve in this great capitalist country?
(nonfiction/Ukraine)
The collection’s opening salvo asserts this tension in a whiplash, maximalist mad dash. Stories steer their readership past one visceral image after another: burnt oil engines, boiled feet, metallic screams, and fast food mutilations.
(reviews)
Look! Look! Look! The dance
of these albatrosses in a sea, heaviness
like the iceberg of a frozen era!
(poetry)
There was another reason why I opted not to become a doctor like my daddy. He was the only pediatric urologist in town, so he left for work before I woke, shuttled between two hospitals throughout the day, and returned home after my bedtime. Unbeknownst to me, when he would come to give me a goodnight kiss while I was fast asleep, I’d stick out my tongue at him.
(nonfiction)
The boy in the black carriage listens.
Solo in flight the starlings have no message.
They fly. He listens.
(poetry)
The book takes a historical view of global conflicts — namely World War II and the Cold War — and Lamantia’s reactions against the imperial war machine, both in the United States and within globalized systems, emerge as a precursor to the apocalyptic themes often present in Western poetry.
(reviews)
I like art best when its artifice dissolves. Pull back the curtain: It’s me, looking sheepish. Which me is almost irrelevant: I’ll answer to any name you call. Surrendering is only erotic when what you’ve held inside too long has named you. Made you its shape.
(nonfiction)
At 4 a.m. I am awakened by a vision of the river goddess. I am told without words that she saved baachan from drowning. After the funeral of my great-baachan. After a mokugyo drum was broken through. After a shaman sprinkled gold dust into the house’s fire.
(nonfiction)
Danielle Steele’s Going Home, Alice Munro’s Dear Life. Richard Bach’s Jonathan Livingston Seagull. Ali flips open a moldy Farsi translation of The Three Musketeers, his eyes landing on “All falsehood is a mask” just as a slip of paper glides down onto the library’s patchy carpet.
(No Place is Foreign/fiction)
the opening of a cut grape
the butterfly
if it were to lightly rest upon the extremity of the grape
and pretend to drink
if it wasn’t drinking
what was to be done then?
I would have to
improve how well I see, with these eyes
improve how well I hear sounds
and so, employing my hands
I noticed
the smallest of movements
(translations)
The latest in our FORTHCOMING series of excerpts from new and recent books:
After descending into the basement, you act as if you never went, as if you have no idea what the basement really is or what happened there. Even though you left the girl you once were in the basement, you spent the rest of your nights pretending it didn’t happen.
(fiction)
When my father measured women in percentages, I learned to chart myself like livestock—head, pelvis, torso. Yet the red horse leaned his warmth into me, the chickadees sang, and the body refused to stay math. Years later, back home, I discover what love weighs when you stop counting.
(fiction)
The poems in Naming the Rose draw from vulnerable, autobiographical elements mixed with the obliviousness of those around the speaker. The two-sectioned poem “The Light of Day” contrasts loving memories of pumpkin carving by the speaker’s daughter with the fear of the speaker-mother as her partner and the father of her daughter, “drunk,” “too drunk,” “rid[es] down the highway at 90 miles an hour” with “a huge stolen pumpkin on [her] lap.”
(reviews)
The holes breathed damp breath that wasn’t quite alive but wasn’t dead either. It takes little to make beauty out of wreckage, wreckage out of beauty. Winter sun gleams in the spray, constellates in the ice. A Buick skids from the road and tumbles across a bare field.
(nonfiction)
The latest in our FORTHCOMING series of excerpts from new and recent books:
He had written DECEASED next to my mother’s name on his return. That threw the whole system off, sending his return into the void for further review. Since the entire IRS was working from home due to Covid-19, which arrived approximately two weeks after my mother’s death, apparently every day was now Leap Day, and perhaps in another four years my father might get his refund.
This collection of poems explores the fracture of a marriage after a secret is revealed—a husband’s closeted homosexuality, at odds with his religious upbringing and the life he has built. Set against the pastoral backdrop of stables and gardens, canning jars and roving horses, tether & lung traverses the landscape of loss and longing with striking vulnerability.
(reviews)
I am sorry to say this, but what if You made a mistake?
What if You took the wrong kid?
I heard You took two more kids today from Askar’s middle school.
Are the soldiers working for you?
(Palestinian Voices/ fiction)
The latest in our FORTHCOMING series of excerpts from new and recent books:
I walk across the highway to the other side, lean over the same crumbling concrete guardrail and look down into the stagnant cesspool. As I slowly raise my head, I follow the canal as it extends in a straight line out to Lake Michigan. The huge, shadowy metal structures of the steel makers stand along the shore, and next to them, barely visible, a towering crane.
The latest in our FORTHCOMING series of excerpts from new and recent books:
Every night I read
My country’s history
of profit wrung from working people
and before dawn I burn my shoes
Discovering Tarkovsky upended my attempt to build a coherent, if radically reduced, worldview post-Iraq. Ten years after leaving the military I found myself replaying certain scenes from his Solaris and Stalker well into the early morning hours, with no thought to plot, or social relevance, just the sound and absence and the want and the curious, sacred fullness that followed these unanchored gaps in experience.
(nonfiction)
“What do you know of killing a child?” Medea shouted, her voice trembling with the hereafter. The woman bowed her head, circling endlessly over rocky ground, stacking stones, whispering absence and omission as her weapons, searching for forgiveness that would never come.
(translations)
The film is a collection of footage accumulated from days walking around Chicago and noticing the different movements, colors, and forms of the city. It attempts to embody a dissociated state of mind.
(audiovisual)
Can violence be made into beauty? Can beauty be used to dignify the stain of violence? Sloan seems to suggest so, perhaps, by conceiving of Ophelia’s body as part of nature—indistinguishable from it.
(reviews)
This week, ACM is posting poetry every weekday.
wait, things improve, around every corner is a prize.
Let’s go back to that track and crush pine needles
with our heels. Crush our watches too.
(poetry)
This week, ACM is posting poetry every weekday.
we’d just torn out not the eyes but the reflection in the eyes
while culture hanging on the media’s fangs was dying there
no more tongue-in-cheek now and above the vulgarity of
doing cartwheels thinking thus to prove its legitimacy
doesn’t the assassin push forward by brandishing his knife
(poetry/translations)
This week, ACM is posting poetry every weekday.
See? I’ve been frank, while the TV keeps beaming images–you yelling at the cop dragging you away: Don’t take me away yet; but the cops keep manhandling you, smash your spectacles, your black skin shines with sweat.
(poetry)
This week, ACM is posting poetry every weekday.
And they continued with more world history examples
where a victim lived happily ever after next to her executioner,
having forgiven and forgotten.
(poetry/translations)
This week, ACM is posting poetry every weekday.
I’d tell you to be careful, that everything here is lousy with history, from the first megafaunal
extinctions to those buffalo carcasses rotting in heaps after the last of our Transcontinental
massacres.
(poetry)
I’ve started thinking the worst of people. I wasn’t always like this. Can I keep doing this job? Why did I take the first one I found? Cause Mom just died and I couldn’t think straight? And minimum wage? Surely there is something better out there.
Inhabit your awareness. Breathe and scan throughout your body.(nonfiction)
Shiki wrote haiku—tens of thousands of haiku—elevating himself to the immortal ranks of Bashō, Issa, and his personal hero, Buson. However, Shiki did not want to go back to the past and its masters; he wanted to reinvent what he believed was a dying art.
(reviews)
Kateri Menominee is the ninth and final Native voice we are publishing in our series collected by Mark Turcotte.
You watch your aunt unbutton a rabbit carcass
and you feel the vocal folds of your dark throat
contract descend a dark ache in your belly
to swallow a language ripped from another
(poetry)
“So, I’m not saying one’s better than the other, but maybe because [Iraq] had so many wars, they put people first. In our culture, we put profit first. Our whole geopolitical conduct has now become quite transactional. If you say [Trump] is a mandate from the American people, then that’s saying something about the values of voters,” Alex Poppe tells ACM.
The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)
You hang out on top of the three ancient towels you’ve layered on your couch and know you’ve done the automated surveys, and they improve nothing. You and your doctor have pushed pre-authorization – nothing. You’ve talked to your HR managers and you’ve written to the state’s insurance commissioner, and this has done nothing.
(nonfiction)
Part of a series of Native poetry collected by Mark Turcotte.
Springtime is for the seeds and letting light into the home our spirits live in. We prep the soil for the ones who sleep there. Summer picks berries for playtime.
(poetry)
She poignantly asks, “In such a teeming ocean of words how could I know there was anything else to swim in?”
(reviews)
This week, ACM is posting poetry every weekday.
even baby’s breath is weary and stale
in their nostrils falls the hail
the country’s black men sent to jail
(poetry)
This week, ACM is posting poetry every weekday.
You are forced to think very formally, very
philosophically, Someday a siren will come for you,
and you hold your breath, rub your eyes, roll
with a groan to flick on the late Late Late Show.
(poetry)
This week, ACM is posting poetry every weekday.
One guy said I looked like Queen Elizabeth in it,
so I wore it everywhere, led entrances
with hip swishes and a smirk,
blasted “Flagpole Sitta” in my headphones
because it was my baddie girl-esque era.
(poetry)
This week, ACM is posting poetry every weekday.
Despite what you may think,
I am comfortably phallic.
I wonder if your punchline
can live for two hundred years,
burrowing through human muck
and blood and flushed tissues.
(poetry)
This week, ACM is posting poetry every weekday. This is the first.
through my brother’s bedroom door, the expectations of manhood
complete: apology, sincerity, apology—take it and move on.
In my bedroom alone, shaking, I have prayed the old prayers too.
(poetry)
One of the essential qualities of my mind has always been an inability to distinguish between “being” and “being with.” I wanted to play with girls, and hence decided, age eight, that I wanted to be a girl. Why is it, I asked myself and the sky, as I continued down Grand Street, that the current trans debate focuses so much on trans women in sports? Rather than on, say, sports?
(nonfiction)
When I traveled to Geneva, no matter what else was on the agenda, a reservation at the Boeuf Rouge was required. I never changed my order from quenelle de brochet. I looked forward to the quenelles more than any other part of my visit; they were a reliable, savory anchor in my itinerant young life.
(nonfiction)
Part of a series of Native poetry collected by Mark Turcotte.
did you know trees grieve one another?
i wonder how long they hold grief in their bodies
i wonder how grief sticks in tree ring?
(poetry)
I would need help to enter, hesitatingly, into my mother’s sick body, to bite into her cancer, twist it every which way, let it melt on my tongue like a communion wafer, pierce it with my teeth and let out all its juice, its pus, lick my fingers. It would definitely taste like something unfamiliar, but I’d continue, that’s how the abscess would burst, how I’d heal my mother, how I’d heal from my mother, it would be enough for me to swallow her whole, she would be in me, and I’d spit her out again to rid myself of her.
(fiction)
“One of the overwhelming and heartbreaking themes of mass incarceration is dehumanization. Time and time again, these stories of what happens to prisoners in any of these systems gets buried under all of the legal jargon. And the back and forth in courts, the many steps that happen take power away from the incarcerated and erase the story of the individual,” Chloe Accardi tells ACM.
Part of a series of Native poetry collected by Mark Turcotte.
Your kitchen is transfigured, is wild rice soup and Lil Nas X
Your porch, a portal, re-applying lipstick
between each press to cigarette filters, to skin,
to handcheekforeheadjaw, to make sure you leave marks
(poetry)
And mirrored in the dilated,
upturned eyes, can you, she asks, see a room’s
bright window, panes of light. And can you see
how the selfsame light pours into us,
the shine of attention, of tenderness.
(poetry)
We seek original stories that are preferably under 7,500 words. Please submit no more than…
If God appears on these pages, it is in the sacred clarity of the concrete detail. The speaker as a young girl, drawing ankhs and peace signs in the back of her bible, listening to a hymn as it slides beneath the pews.
(reviews)
Another Chicago Magazine 