“Roberts has described her work as “vignettes of meaningless experiences,” but this meandering, nonlinear work feels honest in its making mountains out of molehills” write reviewers Nora Hickey and Amaris Feland Ketcham.
(graphic nonfiction review)
Category: art
I could pretend I didn’t watch at least a thousand hours of television since March, but I’m sure I did. I mean, how many walks can a person take? (nonfiction)
Her keys might have opened the church, and she the one to serve sponge fingers like death.
(The Loop)
So now what are we going to do?
(nonfiction)
I’ve chosen to work with concrete to speak about the impulse to create permanent structures, but also to speak about impermanence, change, and loss, Ledelle Moe tells Helena Feder.
O, America, a horse like us would have been glue by now.
(nonfiction)
Merely archaeological, the images of strewn masks take on a symbolic meaning for America’s ambivalence towards public health.
(The Loop)
There is a small Italian restaurant two blocks from my house in Inner N.E. Portland. It’s been there for decades.
(nonfiction)
Hunter said she aims to “visually discuss law and society in slavery and racism through physical spaces.”
(The Loop)
