Two poems by Rabha Ashry

Untitled by Charles March III

if I had fallen in love

if I had fallen in love that summer
in my little slip dresses and boots the color of blood,
lips a bite of strawberry and hair a wild story,
I might have been beautiful,

the tangerine sun setting everywhere I looked,
the glassy water doubling the spectacle,
at its center, I might have been just as vivid.

I might have learned that the mountains
were an amalgamation of roots
growing into each other
like a dust bunny or tumbleweed

just under the dirt, the trees
growing into more trees
like a constellation twinkling, unseen.

& if the mosquitoes hadn’t gorged
on my ankles so ruthlessly
I might have kissed that boy
& I might have regretted it

I might have swallowed
that pickleback shot
& I might have thrown up

I might have lived a life or two
instead of counting steps in the parking lot,
between the rust-colored cars,
missing you.


everything here has meaning

          v1.
everything here has meaning:
parking in reverse            the milkshakes
they don’t sell at the diner anymore
          the sun spotlighting his bed
in the afternoon           the cat
in the plastic bag           the dog barking
at dusk           drinking a yellow dress
the early spring daffodils and
early fall sunflowers           (though different
 they both feed off sunshine and city soil)

i’m wearing a leather collar and a red
raincoat           in March or in October           the seasons
of delight or disorder           monsoons or sleet

you find me at the gate           lost but for
my little brown-eyed deer-headed chihuahua
we twined the same storyline but
in different scintillating tapestries           (& though
colorful           they both remain incomplete)

last weekend           i was just trying to tell you
          you deserve more
                              & it came out –

          v2.
                              watch me, like a wave, retreat
among late summer sunflowers

a year later  you tell me           in our final conversation
there was no justice in your unaddressed questions

I think about you sometimes – what is your name these days?
do you still live half an hour away? do you have your cat back?

if I could guarantee your answers I would ask
but I don’t even have your number anymore

everything here has meaning:
the faded rose carpet           the lilac chair
the sun relentless through the blinds
the sleet and fog blanket           pulled up to his chin
the little dog licking my feet in the morning

the tulips and the daffodils and later the roses
and even later the petunias, the
hydrangeas and the sunflowers

it’s finally the season of delight
having sped through the season of disorder
in front of the peonies he kisses my cheek

& we walk our little brown-eyed
deer-headed chihuahua around the block

his hair a fire like the sun
my lips a bite of strawberry

✶✶✶✶

Rabha Ashry is Egyptian, by way of Abu Dhabi, and based in Chicago. She has a Bachelor of Arts from New York University Abu Dhabi, and an MFA in Writing from School of the Arts Institute of Chicago. The recipient of the Brunel International Poetry Prize 2020, she is the author of chapbooks Loving the Alien and Grief and Ecstasy. She currently teaches poetry and essay writing at DePaul University while writing about home, exile, the diaspora, and living between languages.

Charles J. March III is a quasi-writer, pseudo-musician, and counterfeit-artist currently living in California. His pieces have appeared in such places as the Chicago TribuneLos Angeles Times, in the toilet, and in the trash. Last year he poured his blood, sweat, and tears into Blood Tree Literature’s hybrid contest, and wound up winning third place. PBS once contacted him regarding his work, but it didn’t pan out.

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