“Exchange of Glances”
“The Creature”
Tag: acm
The stories in this collection are varied in narrative voices but uniform in the quality of the telling, review editor Patrick Parks writes.
As children under Nixon and teens under Reagan, first-wave Generation Xers like myself have spent our lives watching the rout of the political left from power. Progressive reforms from the New Deal and Great Society were dismantled piecemeal to enrich a profiteering few.
I want something in return for telling you my story. I want you to remember me. I want you to say that I was a capable man.
Our father was a design engineer whose best invention was figuring out how to disappear.
Actually, don’t bother measuring. The audience won’t know how to taste for the right textures and flavors anyway. It only matters to them that it’s an authentic recipe. The only recipe that your abuela—your last known living relative and the only brown person responsible for teaching you culture—gave you.
“He was the president of Quordoba from the early fifties until 1981, when he was deposed,” said Jean. “Of course, he was just a puppet, Alberto Machano held all of the power.”
Surely, this was a cry for help. Generally, the Governors wanted the staff to stay out of the lives of passengers. There were some things going on that passengers wanted to believe nobody noticed. There were couples swapping partners, both with and without the knowledge and consent of the people they’d arrived with. There were orgies with all kinds of drugs, especially among the senior citizens.
“With therapists like this, who needs parents?” reviewer Natania Rosenfeld asks.
We can’t all be like Lotta Tornberg, environmental crusader. I, for one, never had her strength and confidence, her resilient spirit. She remained optimistic to the end, certain that her peaceful protests, with the speeches and marches and sit-ins, would actually make a difference. Back then, her image was everywhere: a slight twelve year-old girl with braided pigtails and a doughy smile. Politicians, not to mention some of the most egregious corporate polluters, paid her lip service, while working adamantly to undermine her cause and credibility. Lotta simply gritted her teeth and doubled down.
After a moment of ‘studying,’ Horsecollar said, “That’s a mighty iffy saying of Lincoln’s, but it makes a lot of sense.” He slightly nodded, but I wasn’t at all sure we understood one another.
I didn’t used to tell the ski jumpers about the time they have to endure at the top, but in the more than thirty years I’ve worked at the Lake Placid Olympic Jumping Complex—meeting the competitors at the base of the K-120 long jump and directing them to the start—I’ve come to realize that it’s better to get this information on the table immediately. Otherwise, they grow restless. We all do. And that’s when the real accidents happen.
“In this breathtaking book, Tim Mackintosh-Smith takes us through 3,000 years of Arab history. The unifier is not, as one might guess, Islam,” Richard Wirick writes in his book review.
I asked why I was being taken aside. A woman in uniform and gloves told me I had to be screened for bomb paraphernalia.
“Do you speak English?” she asked me. This was after I had asked her why I was being taken aside, in perfect English.
I can’t conceptualize the poverty. None of us can. How do you make something of yourself in a new country when you came here with nothing?? When you’ve been starving for years in your own country and come here to a land with so much food, so much sweet smelling, fattening, beautiful food … and you with no money to buy it.
“Bey’s examination points to the long history of racism, classism and economics that have ingloriously combined to create the particular set of circumstances that give rise to contradictions,” reviewer Philip Berger notes.
I glare at the construction crews. I search for where they’ve hidden the dynamite. They don’t know that I’m in the warehouse. I keep myself hidden. I’d like to sneak in and light it off, watch the fireworks. I imagine Rowan watching, too, knowing that it’s me.
Imprisoned behind glass in New York City’s Jewish Museum: a sinister grin in graphite. Too big-teeth and hairy brows crowned with a jester’s coxcomb. “I wanted something visually exciting,” Jerry Robinson said of his concept sketch of The Joker. “I wanted something that would make an indelible impression, would be bizarre, would be memorable.”
“Pynchon is like the lost minutes on the Nixon tapes,” Steele says. “The not being there just adds to the mystery. The fact he even came today ruins it. Like if the Red Sox won the World Series. The myth is dead. The real Pynchon would’ve never showed. I think it was a dumb move, actually.”
