Review: Esther Kondo Heller’s “Ar:range:ments” by Matt Martinson

How does one write about the very things that defy language—things like loss, sorrow, not to mention potential words from the past that went unsaid? How does one convey language-defiant notions through language? For Heller, such linguistically impossible truths are conveyed with metaphor and story, but also with silences, approximations, and fragments.
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Review: Writers and Tech, Before Now: Albert Goldbarth’s “Ludd Light” by Robert Stewart

The poems conjure historical and essential artifacts, from “Before Refrigeration” to “Beckoning DigiSex,” and people, too, such as Darwin walking on mountains above the sea, and the poet’s grandmother, whose life “began in Kitty Hawk / and ended in Sputnik.” The tone includes not a simper of lachrymosity for some mythic, ideal time. “The poems included here,” Goldbarth’s introduction continues, “are meant to elegize.” 
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