Review: Writers and Tech, Before Now: Albert Goldbarth’s “Ludd Light” by Robert Stewart

The poems conjure historical and essential artifacts, from “Before Refrigeration” to “Beckoning DigiSex,” and people, too, such as Darwin walking on mountains above the sea, and the poet’s grandmother, whose life “began in Kitty Hawk / and ended in Sputnik.” The tone includes not a simper of lachrymosity for some mythic, ideal time. “The poems included here,” Goldbarth’s introduction continues, “are meant to elegize.” 
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Review of “If Only for a Moment (I’ll Never Be Young Again): Selected Poems of Jaime Gil de Biedma,” (translated by James Nolan) by Stephanie Burt

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
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Review of Kristin Dykstra’s “Dissonance” by Matt Martinson

This week, ACM is posting book reviews every weekday.

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
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First as Farce, Then as Threnody: A Review of Alan Gilbert’s “The Everyday Life of Design” by Eric Tyler Benick

This week, ACM is posting book reviews every weekday.

Supposing there was any lingering hope that the modal interventions of capitalism might deliver us, as a whole, into a brighter, more sustainable future, well, Gilbert’s poems are here to announce the ethical insolvency of that hope—or, not only are we totally, irrevocably fucked, but the severe degree to which we are fucked has already reshaped our ecology, our futurity, our reality.
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