in my city, two fallen en route
to a market, eight more
at an intersection
of a hospital, ice
in their cheeks, hair, lips as if
they said goodbye
(poetry)
in my city, two fallen en route
to a market, eight more
at an intersection
of a hospital, ice
in their cheeks, hair, lips as if
they said goodbye
(poetry)
One of the famous Iranian rug patterns is the Tree of Life, in which the tree is often located on the vertical symmetry line of the carpet. The tree symbolizes the connection of earthly beings to the heavens.
(poetry)
In both concept and practice, we ask a great deal of the field, making it an adaptable metaphor in poetry and art: the open field, the blank page, the blank canvas. The field suggests potential, something unspoiled and limitless where growth is inevitable.
(reviews)
The poems conjure historical and essential artifacts, from “Before Refrigeration” to “Beckoning DigiSex,” and people, too, such as Darwin walking on mountains above the sea, and the poet’s grandmother, whose life “began in Kitty Hawk / and ended in Sputnik.” The tone includes not a simper of lachrymosity for some mythic, ideal time. “The poems included here,” Goldbarth’s introduction continues, “are meant to elegize.”
(reviews)
this sharpness
of ritual burns
toward expiation, but
the body kindles
(poetry)
As the title suggests, this is a book about vantage and perception. In several poems, the speaker takes an empathetic approach, trying to see the world through the eyes of her neurodivergent son. Elsewhere, she poses the question: “How can I teach my child to live through and/or in violence, without becoming violent themselves?”
(reviews)
Look! Look! Look! The dance
of these albatrosses in a sea, heaviness
like the iceberg of a frozen era!
(poetry)
The boy in the black carriage listens.
Solo in flight the starlings have no message.
They fly. He listens.
(poetry)
Can violence be made into beauty? Can beauty be used to dignify the stain of violence? Sloan seems to suggest so, perhaps, by conceiving of Ophelia’s body as part of nature—indistinguishable from it.
(reviews)
This week, ACM is posting poetry every weekday.
wait, things improve, around every corner is a prize.
Let’s go back to that track and crush pine needles
with our heels. Crush our watches too.
(poetry)
This week, ACM is posting poetry every weekday.
See? I’ve been frank, while the TV keeps beaming images–you yelling at the cop dragging you away: Don’t take me away yet; but the cops keep manhandling you, smash your spectacles, your black skin shines with sweat.
(poetry)
Shiki wrote haiku—tens of thousands of haiku—elevating himself to the immortal ranks of Bashō, Issa, and his personal hero, Buson. However, Shiki did not want to go back to the past and its masters; he wanted to reinvent what he believed was a dying art.
(reviews)
Kateri Menominee is the ninth and final Native voice we are publishing in our series collected by Mark Turcotte.
You watch your aunt unbutton a rabbit carcass
and you feel the vocal folds of your dark throat
contract descend a dark ache in your belly
to swallow a language ripped from another
(poetry)
The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)
Part of a series of Native poetry collected by Mark Turcotte.
Springtime is for the seeds and letting light into the home our spirits live in. We prep the soil for the ones who sleep there. Summer picks berries for playtime.
(poetry)
This week, ACM is posting book reviews every weekday.
The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)
This week, ACM is posting book reviews every weekday.
Supposing there was any lingering hope that the modal interventions of capitalism might deliver us, as a whole, into a brighter, more sustainable future, well, Gilbert’s poems are here to announce the ethical insolvency of that hope—or, not only are we totally, irrevocably fucked, but the severe degree to which we are fucked has already reshaped our ecology, our futurity, our reality.
(reviews)
I didn’t know we lived a few counties
south from where Frederick Douglass stood
half-naked, one shirt for a whole winter.
His hands smaller than my brother’s
who took all the jokes on the school bus
(poetry)
Man’s resentment at her for being torn in half, forced to share his Maker’s image but not enough to spare. He wept petitions in the lap of Tigris and Euphrates, “Please, please!” he moaned, “She’s too singular to be understood!”
(poetry)
where were you // when you heard it / who were you with / what did it make you feel
The latest in our FORTHCOMING series of excerpts from new books
“In the end when they ask would I do it again // I’ll shake my head: where does one draft / end and another begin?”
When someone’s chasing you with a knife, / you just run, as someone said ages ago in a statement, / actually a manifesto demanding a person be face to face / with the words or they won’t count.
I might have lived a life or two / instead of counting steps in the parking lot, / between the rust-colored cars, / missing you.
The latest in our FORTHCOMING series of excerpts from new books
“an archipelago: / a chain of islands / and also, / what contains them”
(poetry)
Now all I want is to / hear what Paul Thomas Anderson whispered into Fiona / Apple’s ear to make her cry in public.
I compliment / the man on his black leather jacket and he hangs it on my / shoulders and says, I think you’ll like it better than me, bunny.
i go to school to see mary but learn louis xvi was beheaded in front of an empty / pedestal
When I see a half-fallen curtain, / I see an eye on the verge of sleep.
(poetry)