There’s a telephone. Three syllables, telephone, so it’s the kind with the handle—you could bring it from room to room only with the help of long cords, like a medical attachment of saline. Its speaking and listening parts imitated your own. Meeting in a kind of lonely kiss: plastic, teeth, cartilage, bone.
(nonfiction)
“Black people often comment on the fact that when you see some person’s name trending on Twitter among your circles, someone Black who you’ve never heard of, your first thought is, ‘My God, someone has been murdered again,'” Eve Ewing tells ACM poetry editor Tara Betts.
In 2010 life changed in Bear’s Corner. Outsiders know the place as Komi. That was the year the bears came to eat us.
(fiction)
“Make/Shift drops the reader and characters into worlds, time, and the mind itself. In this debut collection of eleven short stories with three ‘commercial breaks’ between stories, author Joe Sacksteder hypnotizes you with his imagination, beckoning you to join him down the rabbit hole,” Michael Gawdzik writes.
(review)
You won’t find much radical analysis in contemporary fiction: Trump is stupid, rude, a racist, and a misogynist; his election was a completely unsuspected usurpation of both a deserving candidate and the norms that bound an imperfect but fundamentally good country together.
(review)
“Each inch of the park is designed to trick visitors into thinking they’ve left New York for a Parisian garden, the Catskills, Wonderland, or that they are themselves Henry Hudson discovering Manhattan,” David Andrew Stoler writes of Stephen Wolf’s book on Central Park.
(review)
“Love Letter 16. Ring of Fifths”
“Love Letter 18. Words Are Wind in Shut Spaces”
“Growing Up With Brothers Meant Machines–”
“My Grandmother’s Candy Jar”
“Leaves”
“Ticket Thrown Away Before Not Leaving”
“To The Hunters”
“There Are Women Who Know”
“Prayer”
“Kaleidoscope”
“Elegy”
“Lineage”
“Optic Principle”
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