Reviewer William Demaree writes: “These are not the typical ‘well-made’ short stories; teachers would have a bitch of a time using them to illustrate that old ‘exposition-rising action-climax-denouement’ paradigm.”
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Category: Reviews
“The process of reading the book took longer than usual for a variety of reasons, least of all a natural disaster and a pandemic,” writes reviewer Loie Rawding. “But I found myself returning each night to read a few pages and sink into a warm, if unsettling, darkness.”
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“There is immense value in Ripatrazone’s book regardless of your faith,” writes reviewer S.T. Brant.
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“Noir fiction is still responding to The Maltese Falcon,” writes reviewer Matt Meade, “still trying to figure out how to formulate that strange alchemy of crime, post-war malaise, sensitive street tough, and existential dread.”
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“For a book that is in many ways a ghost story,” reviewer Jesi Buell writes, “Brandeis removes the magical, fabled elements and makes the reader focus on the real-life consequences of violence committed against girls’ bodies.”
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“Wisel writes about domestic violence, drug abuse, poverty, and the inability to connect to others in ways that maintain healthy boundaries,” writes Sarah Sorensen.
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“”History of an Executioner’ brings us to the verge of existentialism, the point where the protagonist must decide for himself at last,” reviewer Andrew Farkas writes.
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“At a time when the world’s focus is drawn to the humanitarian crisis of children wrenched from their parents at America’s southern border, the damage that is being done to these young psyches is immense and unknowable… Abraham’s gripping tale of innocence lost in contemporary Lagos could just as easily be set in these migrant prisons,” writes Carol Haggas.
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“If I had been chewing gum, I would’ve swallowed it right there,” Jefferson Navicky writes upon reading Maureen Seaton.
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“Whether V’s and June’s story is your or my family story,” writes Chelsea Biondodillo, “it is still our story and it should rattle and anger even as it hollows out a soft spot in the heart for these fierce and sorrowful unsung stories.”
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