“At a time when the world’s focus is drawn to the humanitarian crisis of children wrenched from their parents at America’s southern border, the damage that is being done to these young psyches is immense and unknowable… Abraham’s gripping tale of innocence lost in contemporary Lagos could just as easily be set in these migrant prisons,” writes Carol Haggas.
(review)
“If I had been chewing gum, I would’ve swallowed it right there,” Jefferson Navicky writes upon reading Maureen Seaton.
(review)
“Whether V’s and June’s story is your or my family story,” writes Chelsea Biondodillo, “it is still our story and it should rattle and anger even as it hollows out a soft spot in the heart for these fierce and sorrowful unsung stories.”
(review)
Michael McColly writes: “Farber states what is obvious for anyone who’s spent any time or been affected by America’s massive prison industrial complex: ‘Sometimes, we need to stare at the drear reaches of our national soul to understand who we are and who we wish to be.’”
(review)
“With composed brevity and a hip, off-brand optimism, Polek mines a bottomless crevasse of depressive inclinations and self-imposed disembodiment,” writes Loie Rawding.
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“Diehl and Goodrich bypass the tedium of lesson preparations to make their school settings deliciously weird,” Jason Teal writes.
(review)
“The poem lingered in my mind for weeks not because of its timeliness, but because of its unsettling brilliance,” writes Jefferson Navicky.
(review)
“The most fantastic element of the book isn’t the religion or the space travel but the way people behave,” Alder Fern writes.
(review)
The stories in this collection are varied in narrative voices but uniform in the quality of the telling, review editor Patrick Parks writes.
(review)
“With therapists like this, who needs parents?” reviewer Natania Rosenfeld asks.
(review)
