Review of Nadia Anjuman’s “Smoke Drifts: Selected Poems” (translated by Diana Arterian and Marina Omar) by Emily Hunsberger

Smoke Drifts contains both free verse and poems that follow a formal architecture, including several of Anjuman’s ghazals, a centuries-old tradition that Uzbek writer Hamid Ismailov describes as “a universal poetic form,” like the European sonnet, found in literary cultures from Turkey to India.
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Mirroring Nigeria: Review of Hussain Ahmed’s “Crossroad Mirror” by Chinụa Ezenwa-Ọhaeto

Ahmed carefully layers Nigerian cultural practices into the poem’s emotional architecture. “Where I come from, silence is how you mourn a man without gray hairs”—the line invokes a northern Nigerian Muslim sensibility. It also hints at the Nigerian pattern of losing young men to violence, religious conflict, insurgency, and conscription.
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