Nausea knocked around my empty stomach with nothing to temper it. This woman looked just like the Wikipedia image of Edith Wharton I fell asleep to. Was I seeing pixels come to life? No. I needed to get a healthier sleep schedule now that Ramadan was over, it was clearly affecting my brain.
(fiction)
“We see these policemen over here…” The intersection above them was lined with uniformed police in crowd control gear. “…surrounding our demonstration. They say they’re here to protect and serve, but who are they protecting? Who are they serving?”
(fiction)
By seventh grade students often work with percentages, fractions, probability and proportional relationships. Math looks different at our Long Covid house. We practice for survival, not standardized testing. What percentage of a medication is metabolized by the liver? By the kidneys? What fraction of the pediatric population gets well?
(nonfiction)
So the day begins:
searchlight; flesh cannot repel
it, drinks; partakes; that
never hurt before.
So the day begins
with Big Bang light; no way to
penetrate its skin.
No tool can pierce it.
(poetry/translations)
The way I’d savor, lovesick, a stricken voice preserved on tape as if in amber. The way I banked those messages. Playing them over and again as proof that once, I had made him care. Echo of skin and moisture and shine and shame. Power diminishing with repetition.
(nonfiction)
Look! Look! Look! The dance
of these albatrosses in a sea, heaviness
like the iceberg of a frozen era!
(poetry)
There was another reason why I opted not to become a doctor like my daddy. He was the only pediatric urologist in town, so he left for work before I woke, shuttled between two hospitals throughout the day, and returned home after my bedtime. Unbeknownst to me, when he would come to give me a goodnight kiss while I was fast asleep, I’d stick out my tongue at him.
(nonfiction)
The boy in the black carriage listens.
Solo in flight the starlings have no message.
They fly. He listens.
(poetry)
Danielle Steele’s Going Home, Alice Munro’s Dear Life. Richard Bach’s Jonathan Livingston Seagull. Ali flips open a moldy Farsi translation of The Three Musketeers, his eyes landing on “All falsehood is a mask” just as a slip of paper glides down onto the library’s patchy carpet.
(No Place is Foreign/fiction)
the opening of a cut grape
the butterfly
if it were to lightly rest upon the extremity of the grape
and pretend to drink
if it wasn’t drinking
what was to be done then?
I would have to
improve how well I see, with these eyes
improve how well I hear sounds
and so, employing my hands
I noticed
the smallest of movements
(translations)
“What do you know of killing a child?” Medea shouted, her voice trembling with the hereafter. The woman bowed her head, circling endlessly over rocky ground, stacking stones, whispering absence and omission as her weapons, searching for forgiveness that would never come.
(translations)
This week, ACM is posting poetry every weekday.
wait, things improve, around every corner is a prize.
Let’s go back to that track and crush pine needles
with our heels. Crush our watches too.
(poetry)
This week, ACM is posting poetry every weekday.
we’d just torn out not the eyes but the reflection in the eyes
while culture hanging on the media’s fangs was dying there
no more tongue-in-cheek now and above the vulgarity of
doing cartwheels thinking thus to prove its legitimacy
doesn’t the assassin push forward by brandishing his knife
(poetry/translations)
This week, ACM is posting poetry every weekday.
See? I’ve been frank, while the TV keeps beaming images–you yelling at the cop dragging you away: Don’t take me away yet; but the cops keep manhandling you, smash your spectacles, your black skin shines with sweat.
(poetry)
This week, ACM is posting poetry every weekday.
And they continued with more world history examples
where a victim lived happily ever after next to her executioner,
having forgiven and forgotten.
(poetry/translations)
All that’s left of the baby is the rattle. / All that’s left of the granny is her knitting.
The historical cloth covers two forms / beating like the angels’ hard bodies in the midst of changing time.
(poetry)
Another Chicago Magazine 