This week, ACM is posting book reviews every weekday.
Focused primarily on her childhood, Kercheval’s memoir is told in a series of seventeen fanciful chapters—ranging from four to twenty pages each—on subjects including her parents, her imagined worlds, her body (as well as the bodies of others), and the events, people, objects, and entities that shaped her. Shifting metaphors abound.
(reviews)
That Childhood Continent Beyond Illumination are pieces from a larger suite of automatic drawing/poem paintings, intentionally completed in an afternoon.
(art and text)
“It is not fear, but something that is beyond language.”
The summer heat sprawls on my skin like a thick cover of wet glue.
(nonfiction)
I blossomed into violet / flames while my / Self, in silent flight / within my soul, / drank and sang / until dawn.
To be seen was to be ashamed and to admit to experiencing pleasure was to be disgusting.
(nonfiction)
I’m paranoid, I’m chronically fatigued. / Neither Freud nor Jung can help. / Lord, grind us with your palette knife down into / the dark, into the soil.
(poetry)
Kafka can sit for hours on the corner of the balcony, the elbow, looking down on the busy intersection. On one corner, across from us is the Escher House, a three-story mansion now converted into cheap rooms.
(nonfiction)
Now all I want is to / hear what Paul Thomas Anderson whispered into Fiona / Apple’s ear to make her cry in public.
I held my magazines in my lap and looked longingly out the window, believing myself to be a melancholic character in the movie of my life.
(fiction)
I compliment / the man on his black leather jacket and he hangs it on my / shoulders and says, I think you’ll like it better than me, bunny.
Her aunts—a year apart and almost identical in appearance—ticked all the boxes of conventional postcolonial standards of Bangladeshi beauty. They had the “fair and lovely” smooth skin, the black voluminous hair that touched their waists, and eyes with lashes that could put a doe to shame.
(fiction)
i go to school to see mary but learn louis xvi was beheaded in front of an empty / pedestal
When I see a half-fallen curtain, / I see an eye on the verge of sleep.
(poetry)
The cicada ebbed and flowed / until those raised in cities / complained. How can we sleep?
(poetry)
The only language you know / the form you know as love / as one, / complete / complete.
(translations)
I don’t trap my dreams in books / you might as well store fire in paper
(translation)
But those who press the grapes now, / who toil from morning till night, / they’ve disowned us…
✶✶✶✶
He moved close enough to whiff my aftershave. Our eyes met before he grimaced.
(fiction)
The children / dance on open flame, scrawl shapes across the sky / you feel the ground vibrate as they raise hell / on all your futures.
(poetry)
He slices an opening in the side / of my breast and puts a needle inside / which flails around like a water hose he can’t control / in the yard
(poetry)
She loved her Oxy, Hydrocodone, and Xanax, the pretty colors and shapes. She sometimes poured them all into her hand. Did she think about it? Of course, some days. It would be so easy—a glass of water, her favorite videos.
(fiction)
He’s standing around and a girl in a red coat makes him think of me. Or a French bulldog, that I would run to pat. Or a scent makes him turn back.
(fiction)
I was certain all was lost, that the curtain had been lifted to expose Double Take Creative for what it truly was: a two-bit operation run by a misty-eyed has-been and his oblivious minion.
(fiction)
in silence, those dark minutes of recess when they stomp on my shadow with their hyena / laughter
(poetry)
Do you need to be a good person in order to be a great poet?
(nonfiction)
The flight attendant checked the row number printed on the overhead compartments, consulted her paper, then looked directly at Mia. “You are a doctor?”
(fiction)
The work is not going well. Why is the work not going well? I think. Wait. I ran out of medication.
(nonfiction)
This is when I realize that sunglasses weren’t invented to keep the sun out of your eyes.
(fiction)
Another Chicago Magazine 