Review: Uncovering What Drives and Destroys Us in Sara Jaffe’s “Hurricane Envy” by Meredith Boe

The book’s title is derived from the story “Stormchasers,” in which a couple that moved cities constantly compares the two places while trying to establish a routine. They admit to having “hurricane envy” as they realize that a coming storm won’t really impact them, despite their preparations.
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Review: Writers and Tech, Before Now: Albert Goldbarth’s “Ludd Light” by Robert Stewart

The poems conjure historical and essential artifacts, from “Before Refrigeration” to “Beckoning DigiSex,” and people, too, such as Darwin walking on mountains above the sea, and the poet’s grandmother, whose life “began in Kitty Hawk / and ended in Sputnik.” The tone includes not a simper of lachrymosity for some mythic, ideal time. “The poems included here,” Goldbarth’s introduction continues, “are meant to elegize.” 
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Review: Lyricism, Fragmentation, and Intersectional Identity: Molly Gaudry’s “Fit Into Me” by Sarah Sorensen

The title comes from Margaret Atwood’s poem “You Fit Into Me,” a borrowed line that helps Gaudry translate her own feelings. The phrase “fit into me” can act as both a plea and a demand, asking us to place ourselves inside the characters—but borrowed language can also act like a mirror, reflecting our own experiences back at us rather than revealing hers.
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