This week, ACM is posting poetry every weekday.
And they continued with more world history examples
where a victim lived happily ever after next to her executioner,
having forgiven and forgotten.
(poetry/translations)
This week, ACM is posting poetry every weekday.
And they continued with more world history examples
where a victim lived happily ever after next to her executioner,
having forgiven and forgotten.
(poetry/translations)
This week, ACM is posting book reviews every weekday.
Catrileo’s florid, visceral writing traverses the centuries—from the so-called Conquista, Spanish term for the brutal colonization of the Americas, to the modern-day capital city. It is a lyrical and nonlinear chronicle that spans the arrival of invaders armed with “old maps” and “steel fire” to urban streets studded with bars and patrolled by police known for their brutality.
(reviews)
Someone is calling to you from the sea,
beating the heavy waves with his tired hands.
(poetry/translations)
The latest in our FORTHCOMING series of excerpts from new and recent books:
No wonder Mr. Barde is struggling to fall asleep, considering his job where hypertension goes without saying. So, he suffers patiently, reads until impossible hours, and sometimes plays at cultivating insomnia, gaining thus beaches of meditation, wanderings in thought fostered by silence.
(translations)
This is the first in our Palestinian Voices series, featuring work by Palestinian writers and artists, including people who are part of the Palestinian diaspora.
The dignified broadcaster on TV smiled. “The boy’s mouth is now a restricted military zone,” he announced.
(Palestinian Voices/ Translations)
if the Earth would just split in two
& one half would take its leave
I’d take a seat on the other half
& absorb the blue skies above
(translations/poetry)
to know everything
and understand everything
doesn’t guarantee I’ll be able to tell the difference between poisonous and edible
(No Place is Foreign/ translations)
Nothing is so dangerous as a news report wherein Palestinians die in the passive voice, the horrific violence massaged into meaningless oblivion, the perpetrators somehow irrelevant.
The novel is stamped with an epigraph: a quote from “Everybody Wants to Rule the World” by Tears for Fears. There’s an alchemy between the novel and the song that should not be overlooked—it adds an eeriness to Gråbøl’s profound yet distant prose as if the true emotion of the writing has been blunted by fear or pills.
(review)
The only language you know / the form you know as love / as one, / complete / complete.
(translations)