Review of Kim Noriega’s “Naming the Roses” by Tiffany Troy

The poems in Naming the Rose draw from vulnerable, autobiographical elements mixed with the obliviousness of those around the speaker. The two-sectioned poem “The Light of Day” contrasts loving memories of pumpkin carving by the speaker’s daughter with the fear of the speaker-mother as her partner and the father of her daughter, “drunk,” “too drunk,” “rid[es] down the highway at 90 miles an hour” with “a huge stolen pumpkin on [her] lap.”
(reviews)

Review of Kimberly Ann Priest’s “tether & lung” by Brittany Micka-Foos

This collection of poems explores the fracture of a marriage after a secret is revealed—a husband’s closeted homosexuality, at odds with his religious upbringing and the life he has built. Set against the pastoral backdrop of stables and gardens, canning jars and roving horses, tether & lung traverses the landscape of loss and longing with striking vulnerability.
(reviews)

Two poems by Bernard Noël, translated from the French by Eléna Rivera

This week, ACM is posting poetry every weekday.

we’d just torn out not the eyes but the reflection in the eyes
while culture hanging on the media’s fangs was dying there
no more tongue-in-cheek now and above the vulgarity of
doing cartwheels thinking thus to prove its legitimacy
doesn’t the assassin push forward by brandishing his knife
(poetry/translations)

Review of “If Only for a Moment (I’ll Never Be Young Again): Selected Poems of Jaime Gil de Biedma,” (translated by James Nolan) by Stephanie Burt

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)

Review of Kristin Dykstra’s “Dissonance” by Matt Martinson

This week, ACM is posting book reviews every weekday.

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)

First as Farce, Then as Threnody: A Review of Alan Gilbert’s “The Everyday Life of Design” by Eric Tyler Benick

This week, ACM is posting book reviews every weekday.

Supposing there was any lingering hope that the modal interventions of capitalism might deliver us, as a whole, into a brighter, more sustainable future, well, Gilbert’s poems are here to announce the ethical insolvency of that hope—or, not only are we totally, irrevocably fucked, but the severe degree to which we are fucked has already reshaped our ecology, our futurity, our reality.
(reviews)

Four poems by Dominique Hunter

Part of a series of Native poetry collected by Mark Turcotte.

My ancestors want you to know they see it coming.
They feel the Earth shaking from the trauma Colonization has inflicted on her.
They smell the Earth leaking gas and oil: her putrid breath, her blood leaking from her.
They hear her wails as Colonization still beats and bruises and pimps her to the highest bidder.
(poetry)