“The Lost Butcher of Lagos (A memory of Eid al-Adha)” by Abiodun Bello

Innocence by Michael Singh

sundry moments now in the

         crucibles of memories –

                   memories or imagination? –

of children reveling in the remains

         of rams: fallen fur, and hollow horns

                   of slaughtered rams, now ghosts:

the horde of children company

         that strayed the streets with us –

                   we who went separate ways: you

across the axes of Lagos streets,

         and I later across the waves that

                   pleated the Atlantic, mounting

an oceanic wall between us…

         remember the wethers, my friend?

                   the speckled rams we hurtled after –

their ghosts I mean – now also

         cramming the imagination with no

                   respect for our distance apart – those

moments return now but in their

         own apparition – phantoms of the

                   butcher’s knives – small swords –

striking their blades of aluminum

         sheets like silvery twins – the last

                   āyah said before the first blood –

before the first blood was drawn

         from the elongated furry neck – and

                   the castrated ram bleating, bleeding

and beseeching the bearded butcher

         before the last streams of crimson

                   flowed to their final patch of earth –

one moment the mass of mutton roasted

         on the wooden stake, and then encircling

                   rings of smoke flamed towards the

heavens – and Musiliu the slaughter-man

         completed the final rites of mutton-

                   cutting – the ageless art of a loaned

festival – a feast day for the devout –

         the flaming smokes now meeting

                   at the sun’s sphere and behind the sills

of crowded window-sides – you – or I –

         remember the tales we told – they told –

                   of one father of faith – the telling of

which you – or I – do not now know how

         to frame – and to what family crowds

                   or street hordes of children straying the

streets, hurtling after the roving rams –

         those spectacles and fete distance now

                   waits to wean off me – or wean me off

the trailing ghosts of its hold: these childhood

         pleasures, adulations of old times…

✶✶✶✶

Abiodun Bello is an award-winning poet, culture researcher, and teacher of literature, composition, and creative writing. Bello emerged winner of the 2005 Okigbo Poetry Prize at the University of Ibadan, and the 2020 Joint-winner of the Association of Nigerian Authors Prize for Literature in the poetry category for his debut poetry collection, Òréré Songs of a Thousand Tides. Bello is also the co-editor of Current Studies in Yoruba Culture, Language and Literature. His poetry and research writings have appeared in academic journals and other publications in Africa and beyond. He has served as Director of Research and Innovation at the African Women in Leadership Organisation and President of the Foundation for Climate Change and Culture. He is presently the Project Lead at the Campaign for Recovery and Sustainability in the US, where he is currently teaching research writing and completing a PhD in English.

Michael Singh is an interdisciplinary artist originally from Southern California. He works across painting, printmaking, illustration, and collage. He taught drawing and painting in Los Angeles before relocating to New York in 2017. In 2021 he briefly studied painting at The New York Art Students League and The 92nd St Y. He now works and resides in upstate New York.