“We see these policemen over here…” The intersection above them was lined with uniformed police in crowd control gear. “…surrounding our demonstration. They say they’re here to protect and serve, but who are they protecting? Who are they serving?”
(fiction)
“I think that the beauty of Blackness and Black people is that we code-switch all the time. We just know how to talk depending on where we are and to whom we’re speaking, so I don’t think about it too much when I’m writing, but I do think about who’s going to be on the inside of the stories and who’s going to be on the outside,” Amina Gautier tells ACM.
By seventh grade students often work with percentages, fractions, probability and proportional relationships. Math looks different at our Long Covid house. We practice for survival, not standardized testing. What percentage of a medication is metabolized by the liver? By the kidneys? What fraction of the pediatric population gets well?
(nonfiction)
The latest in our FORTHCOMING series of excerpts from new and recent books:
Anika had, Leo knew, a harder time in the uprising than he did. She was working as a junior reporter at the morning Szabad Nep when the soldiers came, not a good place to be. She hid in the storeroom behind a trashcan for three hours listening to the shots, the clatter of shell casings on the linoleum.
(fiction)
The way I’d savor, lovesick, a stricken voice preserved on tape as if in amber. The way I banked those messages. Playing them over and again as proof that once, I had made him care. Echo of skin and moisture and shine and shame. Power diminishing with repetition.
(nonfiction)
The collection’s opening salvo asserts this tension in a whiplash, maximalist mad dash. Stories steer their readership past one visceral image after another: burnt oil engines, boiled feet, metallic screams, and fast food mutilations.
(reviews)
Look! Look! Look! The dance
of these albatrosses in a sea, heaviness
like the iceberg of a frozen era!
(poetry)
There was another reason why I opted not to become a doctor like my daddy. He was the only pediatric urologist in town, so he left for work before I woke, shuttled between two hospitals throughout the day, and returned home after my bedtime. Unbeknownst to me, when he would come to give me a goodnight kiss while I was fast asleep, I’d stick out my tongue at him.
(nonfiction)
The boy in the black carriage listens.
Solo in flight the starlings have no message.
They fly. He listens.
(poetry)
The book takes a historical view of global conflicts — namely World War II and the Cold War — and Lamantia’s reactions against the imperial war machine, both in the United States and within globalized systems, emerge as a precursor to the apocalyptic themes often present in Western poetry.
(reviews)
