Review of “If Only for a Moment (I’ll Never Be Young Again): Selected Poems of Jaime Gil de Biedma,” (translated by James Nolan) by Stephanie Burt

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
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Review of Kristin Dykstra’s “Dissonance” by Matt Martinson

This week, ACM is posting book reviews every weekday.

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
(reviews)

First as Farce, Then as Threnody: A Review of Alan Gilbert’s “The Everyday Life of Design” by Eric Tyler Benick

This week, ACM is posting book reviews every weekday.

Supposing there was any lingering hope that the modal interventions of capitalism might deliver us, as a whole, into a brighter, more sustainable future, well, Gilbert’s poems are here to announce the ethical insolvency of that hope—or, not only are we totally, irrevocably fucked, but the severe degree to which we are fucked has already reshaped our ecology, our futurity, our reality.
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“The book wasn’t put together to make anyone comfortable”: An Interview with Louis Bourgeois by Mike Puican

“As it relates to Unit 29 specifically, writing offered a rare opportunity to convey a message that would actually be read. For some, it was an opportunity to attempt something they never tried before. The act of writing and the program itself allowed for a structure by which they could order their lives in a chaos that barely ever sleeps,” Louis Bourgeois tells interviewer Mike Puican.