Fast-forward twenty-something years and here I am, with my own children on the block and a refrigerator full of herbs, greens, fruits, and vegetables.
(nonfiction)
Mercury is in retrograde when we swear our blood oath, palms sliced with butterfly knives stolen from the Berkeley flea market. We promise to live fast and die young and press our bloody hands together, holding them still until they coagulate.
(nonfiction)
In the kitchen, the mixing of the ingredients was quite simple—the Aunt Jemima mix, eggs, and water. Not so simple was my grandmother raising her daughter’s two kids for ten years, her daughter having gone off to San Francisco to experience the cultural revolution of the sixties and seventies.
(nonfiction)
He isn’t here today, and his empty desk seemed emptier than all the other empty desks, where half of the students saw an opportunity to capitalize on tragedy and get a day out of school.
(nonfiction)
“Roberts has described her work as “vignettes of meaningless experiences,” but this meandering, nonlinear work feels honest in its making mountains out of molehills” write reviewers Nora Hickey and Amaris Feland Ketcham.
(graphic nonfiction review)
If my father wanted me to know about Armenia, why hadn’t he said, “Here, Peter, read this,” or “Son, did I ever tell you what happened to Armenia?”
(nonfiction)
In both cases—the poem and the trembling couple—I seem to love the very thing that raises questions for me in my own life: I love how settled the pizza eaters and the bean eaters are with each other.
(nonfiction)
