Review: Esther Kondo Heller’s “Ar:range:ments” by Matt Martinson

How does one write about the very things that defy language—things like loss, sorrow, not to mention potential words from the past that went unsaid? How does one convey language-defiant notions through language? For Heller, such linguistically impossible truths are conveyed with metaphor and story, but also with silences, approximations, and fragments.
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Review: Writers and Tech, Before Now: Albert Goldbarth’s “Ludd Light” by Robert Stewart

The poems conjure historical and essential artifacts, from “Before Refrigeration” to “Beckoning DigiSex,” and people, too, such as Darwin walking on mountains above the sea, and the poet’s grandmother, whose life “began in Kitty Hawk / and ended in Sputnik.” The tone includes not a simper of lachrymosity for some mythic, ideal time. “The poems included here,” Goldbarth’s introduction continues, “are meant to elegize.” 
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Two poems by Bernard Noël, translated from the French by Eléna Rivera

This week, ACM is posting poetry every weekday.

we’d just torn out not the eyes but the reflection in the eyes
while culture hanging on the media’s fangs was dying there
no more tongue-in-cheek now and above the vulgarity of
doing cartwheels thinking thus to prove its legitimacy
doesn’t the assassin push forward by brandishing his knife
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Review of “If Only for a Moment (I’ll Never Be Young Again): Selected Poems of Jaime Gil de Biedma,” (translated by James Nolan) by Stephanie Burt

The book, at its core, follows the speaker’s daily journeys along a rugged mountain road over the course of a year, with the gravel thoroughfare and its environs serving much the way Thoreau’s Walden Pond once did— fueling reflections on humanity in general, and the present moment more specifically.
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