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Category: art

  • art

“Writing Fire” by Reece Gritzmacher

  • by Another Chicago Magazine
  • Posted on August 23, 2022December 20, 2023

Can a town named Phoenix rise from the ash?
(nonfiction)

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  • art

Two Poems by Ifeoluwa Ayandele

  • by Another Chicago Magazine
  • Posted on August 18, 2022December 20, 2023

✶✶✶✶
(poetry)

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  • art

Two Poems by Pavle Radonic

  • by Another Chicago Magazine
  • Posted on August 4, 2022August 4, 2022

✶✶✶✶
(poetry)

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  • art

“Since You’ve Been Gone” by Julie Benesh

  • by Another Chicago Magazine
  • Posted on August 2, 2022August 10, 2023

✶✶✶✶
(poetry)

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  • art

“To a Child Failing Religion” by Vincent Casaregola

  • by Another Chicago Magazine
  • Posted on July 28, 2022December 20, 2023

✶✶✶✶
(poetry)

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  • art

“The Curse” by Romana Iorga

  • by Another Chicago Magazine
  • Posted on April 28, 2022December 20, 2023

✶✶✶✶
(poetry)

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  • art

“Catasterization” by Kirstin Allio

  • by Another Chicago Magazine
  • Posted on April 26, 2022December 20, 2023

✶✶✶✶
(poetry)

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  • art

“Landays for the children of Ayotzinapa” by Luisa Isabella Villa Meriño, translated from the Spanish (Colombia) by Kim Jensen

  • by Another Chicago Magazine
  • Posted on April 21, 2022December 20, 2023

✶✶✶✶
(poetry)

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  • art

Two Poems by Jen Karetnick

  • by Another Chicago Magazine
  • Posted on April 19, 2022December 20, 2023

“Salt”
“The Progressive Lenses of Subdivisions”
(poetry)

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  • art

Two Poems excerpted from LEAF by Carolyn Guinzio

  • by Another Chicago Magazine
  • Posted on March 17, 2022April 19, 2022

“I WANTED TO WATCH HER WITHOUT HER SEEING ME”
“BREAK TIME INTO PIECES”
(poetry)

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  • art

Brooding, Obsessing, and Drawing: “My Begging Chart” by Keiler Roberts

  • by Another Chicago Magazine
  • Posted on June 10, 2021July 7, 2021

“Roberts has described her work as “vignettes of meaningless experiences,” but this meandering, nonlinear work feels honest in its making mountains out of molehills” write reviewers Nora Hickey and Amaris Feland Ketcham.
(graphic nonfiction review)

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  • art

“Croissant Bread French Toast, a Persimmon Red Bike, and a Giant Pup Named Ruthie” by Leanne Grabel

  • by Another Chicago Magazine
  • Posted on December 9, 2020February 21, 2021

I could pretend I didn’t watch at least a thousand hours of television since March, but I’m sure I did. I mean, how many walks can a person take? (nonfiction)

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  • art

“A Red-Tailed Hawk” by Diane Joy Schmidt

  • by Another Chicago Magazine
  • Posted on December 8, 2020February 17, 2021

Her keys might have opened the church, and she the one to serve sponge fingers like death.
(The Loop)

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  • art

“So Now What? Twenty Short November Reflections” by Leanne Grabel

  • by Another Chicago Magazine
  • Posted on November 12, 2020August 29, 2022

So now what are we going to do?
(nonfiction)

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  • art

“Concrete Breathes.” A conversation with Ledelle Moe

  • by Another Chicago Magazine
  • Posted on October 15, 2020December 10, 2020

I’ve chosen to work with concrete to speak about the impulse to create permanent structures, but also to speak about impermanence, change, and loss, Ledelle Moe tells Helena Feder.

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  • art

“Growl 2020” by Leanne Grabel

  • by Another Chicago Magazine
  • Posted on October 7, 2020August 29, 2022

O, America, a horse like us would have been glue by now.
(nonfiction)

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  • art

“Abandoned Masks: a Photo Series” by Bill Stamets

  • by Another Chicago Magazine
  • Posted on September 16, 2020February 16, 2021

Merely archaeological, the images of strewn masks take on a symbolic meaning for America’s ambivalence towards public health.
(The Loop)

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  • art

“Portland Isn’t Burning, America Is” by Leanne Grabel

  • by Another Chicago Magazine
  • Posted on September 10, 2020August 29, 2022

There is a small Italian restaurant two blocks from my house in Inner N.E. Portland. It’s been there for decades.
(nonfiction)

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  • art

“Stars and Stripes to Corona: the artwork of Candace Hunter” by Margo Strifert

  • by Another Chicago Magazine
  • Posted on July 4, 2020March 2, 2021

Hunter said she aims to “visually discuss law and society in slavery and racism through physical spaces.”
(The Loop)

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