“Why don’t we come to an agreement then? I’ll buy the alcohol if you finally stop working.” Hassan said as he sipped his Scotch and watched her with his psychologist’s stare. She had the uneasy feeling she was a frog in his pot, and he was slowly turning up the heat.
(fiction)
“Lehman has claimed a kinship with poets of the past that exists outside time,” writes reviewer Suzanne Lummis.
(poetry reviews)
As the world began to open again, we were proud. We’d done a good job. Then you came.
(nonfiction)
Those smuggled copies of Interview and The Witching Hour that I took with me and read and reread in the suffocatingly dark and overly zealous world that was my conversion therapy experience got me from one moment to the next.
(nonfiction)
Author’s Note These pieces are part of a series of lipograms, writing that excludes one…
I mentioned the most important aspect once we were out of the taxi and waiting for the electric-blue bus: never fall asleep. The ride’s purpose was not to get comfortable or distracted.
(nonfiction)
“I think that as long as you treat your characters with compassion, and you’re thoughtful and empathic and you do what you can to support their narrative and their truths,” Emily Maloney tells Barbara West.
(interview)
