First as Farce, Then as Threnody: A Review of Alan Gilbert’s “The Everyday Life of Design” by Eric Tyler Benick

This week, ACM is posting book reviews every weekday.

Supposing there was any lingering hope that the modal interventions of capitalism might deliver us, as a whole, into a brighter, more sustainable future, well, Gilbert’s poems are here to announce the ethical insolvency of that hope—or, not only are we totally, irrevocably fucked, but the severe degree to which we are fucked has already reshaped our ecology, our futurity, our reality.
(reviews)

Review of Daniela Catrileo’s “Guerrilla Blooms” (translated by Edith Adams) by Emily Hunsberger

This week, ACM is posting book reviews every weekday.

Catrileo’s florid, visceral writing traverses the centuries—from the so-called Conquista, Spanish term for the brutal colonization of the Americas, to the modern-day capital city. It is a lyrical and nonlinear chronicle that spans the arrival of invaders armed with “old maps” and “steel fire” to urban streets studded with bars and patrolled by police known for their brutality.
(reviews)

Four short poetry reviews by Beth Brown Preston

This week, ACM is posting book reviews every weekday. This is the first.
The volume opens with an epigraph quoting Toi Derricotte, the co-founder of Cave Canem, an organization dedicated to the future of African American poetry: “Joy is an act of resistance.” We learn through these poems of the sheer joy of Black woman creativity, as well as the power of women speaking out against injustice and evil.
(reviews)

Four poems by Dominique Hunter

Part of a series of Native poetry collected by Mark Turcotte.

My ancestors want you to know they see it coming.
They feel the Earth shaking from the trauma Colonization has inflicted on her.
They smell the Earth leaking gas and oil: her putrid breath, her blood leaking from her.
They hear her wails as Colonization still beats and bruises and pimps her to the highest bidder.
(poetry)

Review: Tracy Youngblom’s “Because We Must, A Memoir” by Simone Bello-Englesbe 

Between the chapters of the hazy hospital days, Youngblom recollects stories of her son’s childhood and his dreams of becoming a marching band director. She savors the moment Elias first learns to ride a bike and his need for her to hold onto the seat. As the chapters travel across time, the structure captures Youngblom’s stream of consciousness and memories of Elias as gentle and thoughtful.
(reviews)

“Kharkiv: Intermission” by Oleg Shilkrut 

I tried to envision walking down old cobblestone streets, but my memories drowned in darkness: My brain clasped shut. The doors that were so hard to close when I was leaving twenty-two years ago were even harder to reopen now. But I had to. I had to go back and face the ghosts and the memories. Had to shine a light into all corners of the old dark closet. I was planning a trip to visit my mother in Russia, and as the trip got closer, I decided I was ready to go home. I tacked on a few days in Kharkiv.
(nonfiction/Dispatches from Ukraine)